gensoukyo's end; records of the war of oni-yama-xanadu 幻想郷終末鬼閻魔戦記　の枠物語 (二次設定）

2023年7月28日 23:41

I come up with this as I find it interesting if i can give onis some background apart being just some lazy drunkards and what would happen to onis in the far distant future.
鬼がただの怠け者の酔っ払いであることとは別に、何か背景を与えることができれば、そして遠い未来鬼がどうなっているのかが分かれば面白いと思いました。そしてそれでこの二次設定を作りました。

////
Suika went into the mountain as a hermit and meditates with the help of sake and eats nothing but the meat of carnivorous beasts, berries and salad made of wormwood and its bitter juice. After hakurei shrine is ruined and reimu disappeared in an unspecific incident 10 years from the present time in Gensokyo. Yukari and her familiars went to search for her in every possible world and left the gensokyo to the care of yuuyuuko and hakugyokurou becomes the main legislative and administrative building and residence of yuuyuuko who acts in place of yukari as the governor of gensokyuo.
萃香は仙人として山に入り、酒の力を借りて瞑想し、肉食獣の肉と木の実、ヨモギのサラダとその苦い汁だけを食べて生きる。博麗神社が廃墟となり、霊夢が消息を絶った10年後の幻想郷。ゆかりとゆかりの眷属たちは、ありとあらゆる世界を探し回って霊夢を探し、幻想郷を幽々子に託し、白玉楼は、ゆかりに代わって幻想郷の総督を務める幽々子の立法・行政の中心的な建物兼住居となった。
A very long time passed since then but reimu is still not found.
When gensokyo is near the end of its life span as the earth is losing its remaning heat after the death of the sun after an interminable amount of time has passed from the present, suika--
それから長い月日が流れたが、霊夢はまだ見つかっていない。
太陽の死後、地球が残り少ない熱を失い、幻想郷の寿命が尽きようとするとき、萃香は--。
being very old (but still looks very young) at the end of her life, is visited by the spirit shiki eiki and implored by her to save the the world of another shore through a revolution or otherwise the old yamas would continue on their old ways of judging the dead without any attention paid to the death of the sun and death of the earth
老いた（しかしまだ若く見える）彼女は、人生の終わりに四季映姫の霊が訪れ、革命によって彼岸の世を救うよう懇願する。
そうでなければ、古いヤマたちは、太陽の死と大地の死に注意を払うことなく、死者を裁く古いやり方を続けることになる。
and as the earth dies and all living things are sent to higan to be judged the current method of the world of another shore juriprudence cannot judge them all and the influx of coming spirits will overwhelm higan and maybe start a rebellion against the world of another shore so they can return ot the dead earth, which would anhilate their souls entirely because they will find no physical bodies to dwell in on earth anymore as their souls are exposed to the extreme low temperature from the lack of the sun.
地球が死に、すべての生き物が彼岸に送られ裁かれるとき、現在の彼岸の世の法学ではすべてを裁くことはできず、やってくる霊の流入は彼岸を圧倒し、彼岸の世に対する反乱を起こすかもしれない。
彼らは死んだ地球に戻ることを望むが、それは彼らの魂を完全に消滅させることになる。なぜなら、彼らの魂は太陽の欠乏による極度の低温にさらされているため、もう地球上に住む肉体を見つけることができないからだ。
the ghost of shiki eiki then disappers and it is unknown whehter she perishes or just goes into hiding as she is in danger of being assassinated by the supporters of the old regime. So Suika in answer to that creates a sword from her rib bone and creates a hilt for it with ibuki branches she found close to the cave where she lives. She then slays herself with it, becomes a war spirit and goes to the the world of another shore, where she starts a bloody war, slaying the one third of the spirits that swears allegience to the old administration of the the world of another shore and the king of enlightenment　(秦広王　he is the first residing judge in the classic the world of another shore court procedures for delivering a sentence for the dead, if he is dead no judgement of the dead can happen as the process is stuck at the first court without a presiding judge), and forced the remaining nine kings to cede the throne of the the world of another shore to her through a pact.
その後、四季映姫の亡霊は姿を消し、死んだのか、旧体制の支持者たちによって暗殺される危機に瀕しているためただ身を隠しているのかはわからない。
そこで萃香は自分の肋骨から剣を作り、洞窟の近くで見つけたイブキの枝で柄を作る。
そしてその剣で自分を斬り、戦いの亡霊・戦霊となって彼岸の世に行き、そこで血なまぐさい戦争を始める。

彼岸の世の旧政権と悟りの王（秦広王）に忠誠を誓う魂の3分の1を殺し、残りの9人の王には盟約によって彼岸の世の王位を譲るよう強要した。
(秦広王は、死者に判決を下すための古い根の国の裁判手続きにおいて、最初に常駐する裁判官である。彼が死んでしまうと、裁判長不在の第一審で手続きが止まってしまうため、死者の判決は下せない）
She then blunts the edge of her sword with a solitary rock (which is actually made of an innumerable stones piled up by children) in the the world of another shore so it can serve as her Hu (the thing that yamas hold in their hand, like shiki eiki's) and will not anihilate the spirits to be judged entirely due to how sharp it is.
そして、彼岸の世にある一個の岩（実際には子供たちが積み上げた無数の石でできている）で剣の刃先を鈍らせ、自分の笏（ヤマたちが手に持っているもの、四季映姫が手に持っているあの）として使えるようにする。
鈍くすることで、その鋭さゆえに、裁かれるべき霊魂を完全に消滅させることはない。

Her Hu is a blunted sword in the shape of a wheel with bumpy / irregular rims that when it is turned clockwise it anhilates the threethousand cosmoses by producing a wave that has the opposite magnitude to the entropic decay / heat death of the universe,
彼女の笏は、でこぼこした不規則な縁を持つ車輪の形をした鈍い剣であり、時計回りに回すと、宇宙のエントロピー的崩壊／熱死と反対の振幅を持つ波を生成することによって、3万個の宇宙を消滅させる、
and by turning it anti-clockwise it produces an excessive dimension that superimposes upon reality and make all possibitilities happen and because even things oppose common rules of causality overlap with real possible events, the universe is rendered meaningless and all experiences cease to be distinct and the perception of the universe converges into total blackness and the deprivation of all senses.
そして、反時計回りに回すことで、現実と重なり合う過剰な次元を生み出し、あらゆる可能性を実現させる。一般的な因果律に反するものでさえ、現実に起こりうる出来事と重なり合うため、宇宙は無意味となり、あらゆる体験は区別されなくなり、宇宙の知覚は完全な暗闇へと収束し、あらゆる感覚が奪われる。

(this is inspired by a mathematical graph representing a signal trnasformation in the form of a turning circle with a triangle or a line attached to it producing waves that are irregular.. i forgot what the name was. fourier transformation? lagrange transformation? dunno)

(これは、三角形や直線が付いた回転円の形で信号の変換を表す数学的なグラフから着想を得たもので、不規則な波が発生する。
フーリエ変換かラグランジュ変換か？）

when it is used to cut a man it reveals the futility of all mans life in struggling against eternity in that a specific moment /(the strike of the jaden tableau of laplace, see https://en.wikipedia.org/wiki/Tableau_vivant) where all the causes and future consequences are known like lapalce's demon and all ends it vain as the universe destroys itself as the sword / wheel continues.
剣が人を切るために使われるとき、それは、その特定の瞬間に永遠と闘うすべての人間の人生の無益さを明らかにする。
(ラプラスの翡翆の・タブローの一撃は、ラパルスの悪魔のようにすべての原因と将来の結果を知っており、剣／車輪が続くうちに宇宙が自滅してすべてが無駄に終わる。
タブロー: https://ja.wikipedia.org/wiki/活人画　石版の意味もある)

when it is used to pierce it makes one reflect that they do not belong to either time and space and they are struggling in vain in an alien world trying to possess anything meaningful and removes one from existence in three thousand cosmoes without any hope of reincarnation (the lotus-scented gut-wrencher-blood-letter).
それを突き刺すと、自分が時空どちらにも属さず、意味のあるものを所有しようと異世界で無駄にもがいていることを思い知らされ、輪廻転生の望みもなく三千世界で存在から取り去られる（蓮の香りのする腹切り血文字）。
when the hilt of the sword is used to strike in reverse hand it makes a sonorours "HU!" or "Man! ( in Mongolian)" and sends a being back to the moment of its birth and redoes it karma all over again to reach this point where they shall be judged once more if the man has lead a life devoid of conscience and thinking that they dont know themselves .
suika and know all of their past doings with highest objectivity wihtout good and evil through strike the one to be judged 3 times. (in their moment of birth, denouement or highest moment in life, and death)

剣の柄で逆手を取ると、「フー！」または「人！（モンゴル語で）」という音がして、その存在を誕生の瞬間に戻し、もう一度裁かれるこの地点に到達するためにカルマをやり直す。もし、その人が良心のない人生を送り、自分自身のことがわからないと思っているのであれば......。
萃香は、裁かれるべき者を3回打つことで、道徳や善悪のバイアスのない最高の客観性で、彼らの過去の行いのすべてを知っている。(誕生の瞬間、人生最高の瞬間(denouement,直訳すれば終焉＝最高）、そして死の瞬間）。

it essentially functions similiar to a hu carried by other yamas, but instead of the true names of indivual sinners, it carries the sin or true name of three thousand cosmoes, all philosphers and their idols (even that of very enlightened beings like budda's name), and all events and substances. which can never be read through vocal vibrations known to the universe and even when she absolutely needs to pronunce the true name of it can only be imitated by her through throat-singing a song that sound like unbearable noise, which is the combination of every sound in the universe and has to last from the beginning of the universe to the end.
それは本質的には他のヤマが持っている笏と似たような機能を持つ。その笏で刻んでのは個々の罪人の真の名前（真名）の代わりに、三千の宇宙の全て、すべての哲学者・聖人とその偶像（釈迦ような非常に悟りを開いた存在のものでさえ）の真名、すべての出来事と物質さえ、その全部を意味する「罪」を示している真名。宇宙が知っている声の振動では決してその名前を名前を読むことができず、どうしてもその真の名前を発音する必要があるときでさえ、喉歌（ホーミー、モンゴルの喉歌）でしか真似することができない。あれは耐え難い騒音のような歌。あの真名を呼ぶのため、宇宙のあらゆる音の組み合わせであり、宇宙の始まりから終わりまで続きます。
its weight due to sin is enough to draw the all beings into a black hole that has no exit outside time if it is dropped when unsheathed (the sheathe supports and denies its weight) and not wielded by suika.
その罪による重さは、すべての存在をブラックホールに引きずり込むのに十分であり、時間外にも出口はない。
.もし、鞘に入れず（鞘はその重さを支え、否定する）、萃香が手に持っていないときに落とされたなら。

the sheathe is vaporous cloud of the purest distilled sake suika makes by stirring her sword in sanzu no kawa / hades when she first crosses it and needs a sheathe to hold her sword when she needs to rest in between fights, and when drunken one loses all senses and sees nirvana for a moment before he dies and can never obtain virvana)

(この鞘とは、水香が初めて三途の川を渡る後、戦いの合間に休むときに刀を収める鞘を必要とするのため、三途の川で刀をかき混ぜて作る清酒の蒸気状の雲でこの鞘を作った。
これ鞘という酒雲の一滴を飲むと、人は五感を失い、一瞬だけ涅槃を見るが、直ぐに死に至る、そして死後再び涅槃を得ることは決してできない)

the sword is actually made of wood. a rib in suika's chest is actually an artificial replacement made from a tree that grows in gobi desert. after losing a rib bone in battle,suika planted the young sapling of a tree in gobi desert and nourished it with fat from lamb and cattle meat, some water and airag ( mongol alcohol beverage made with fermented milk) when she was still a very young mongol war spirit wroshipped by an unremarkable Mongol tribe fighting buddist and taoist spirits (her only magic prowess back then, was to increase the games brought home by hunters or the water, or the beverage or the food reserves by 0-13% randomly, she can only do it to one category of things and she can only do it once per season and can only increase things not decrease) . She then asks a medicine man and cart-maker of her tribe to make her a rib bone made of wood so she can fight again without feeling pain and emptiness in her chest.
その剣は実に木でできている。
萃香の胸の一本の肋骨は、実はゴビ砂漠に生える木から作られた人工の代用品なのだ。
戦いで肋骨を失った後、萃香はゴビ砂漠に木の苗木を植え、羊や牛の肉の脂肪と水とアイラグ（発酵乳で作ったモンゴルの酒）で栄養を与えた。
あれは彼女がまだ若いモンゴルの戦霊で、仏教や道教の精霊と戦うモンゴル族に祀られていたいるの時(当時の彼女の唯一の能力は、ハンターが持ち帰った獲物や水、飲料、食料をランダムに0～13%増やすことで、1つのカテゴリーにしかできず、1シーズンに1回しかできず、増やすだけで減らすことはできない)。
そして彼女は、胸に痛みや虚しさを感じることなく再び戦えるように、部族の薬師であり荷車職人である男に、木でできた肋骨を作ってくれるよう頼む。
after some centures past, she lost in war against buddists and taoists and had to be reincarnated into a sacrificial goat and escaped to the seashore of the far east in china (korea?). but stil the taoism and buddism advances and threatens her life. she plans to go to japan which she heard from a travelling merchant that it is an isolated island country that is difficult for new Ideas to arrive in, and even more difficult for Ideas to spread as it is split into many domains fighitng among themselves, also most of the farming population are illiterate, which is a perefect hiding place for a wounded and dead war spirit waiting for reincarting into a stronger spirit in next life.
何世紀か過ぎた後、彼女は仏教徒と道教徒との戦いに敗れた。
彼女は生け贄のヤギに生まれ変わり、中国（あるいは韓国？）の極東の海辺に逃げ込んだ。
しかし、道教と仏教は依然として前進し、彼女の命を脅かしている。彼女は、旅商人から聞いた日本へ行くことを計画している。日本は孤立した島国であり、新しい思想（イデアIdea)が到着するのが難しく、また、多くの藩に分かれて争っているため、思想が広まるのがさらに難しく、また、ほとんどの農民は読み書きができないため、傷つき死んだ戦霊が来世でより強い霊に生まれ変わるのを待つのに最適な隠れ場所である。
She then had to kill herself / release herself from her body as blood-mist and traverses the sea, but is blown back by kamikaze. and she goes south along the seashores of china in the form of a goat spirit while searching for a vessel / ship to cross the ocean so she can escape from the spirits of buddism and taoism hunting for her. ...
その後、彼女は自決して血霧となって肉体から解放され、海を横断するが、神風に吹き飛ばされる。それから、彼女はヤギの精霊の姿で中国の海辺を南下しながら、仏教と道教の精霊たちから逃れるために海を渡る船を探していた。
and then she found a commericial vessel that has for passenegers some buddist monks and taoist monks who were travelling to Japan so she hid herself in the zhe stroke (磔/捺/"Dismemberment"/Golden dao storke, usually the last stroke of a Chinese glyph, see wiki for Eight Principles of Yong) of the words written with ink on Bamboo and wooden slips (see wiki for Bamboo and wooden slips) that are original Chinese scriptures of taoism and buddism
その時、彼女は日本へ旅する仏教僧と道教僧を乗せた客船を見つけ、その中で中国の道教と仏教の原典である竹簡と木簡（竹簡と木簡についてはウィキを参照）に墨で書かれた言葉の「磔筆」になりで身を隠した（磔/捺/「解体」/「金道」とも言う。通常は書道で漢字の最後の一画。永字八法wiki）

(i should read more about oni's origin, buddism and taoism's history in japan and china and mongol, and how buddism and taoism were introduced to japan started to replace or syncretise with native faith/ folk reigion)

(起こったことの詳細について、私が鬼の起源、日本や中国やモンゴルにおける仏教や道教の歴史、そして仏教や道教がどのように日本に伝わり、日本の土着の信仰や民間宗教に取って代わったり、同化したりし始めたかについては、もっと読んだ後でまた創作しるかもしれない）。
(it subscribes to my fantasy theory that onis were the spirits of dead mongol warriors in their tribal conflicts and in relgious conflicts and were sent to japan by the sandy winds of siberia in winter solstice) https://en.wikipedia.org/wiki/Asian_Dust
https://en.wikipedia.org/wiki/Climate_of_Japan
(元ネタは、鬼がかつてモンゴルの部族紛争や宗教紛争で死んだ戦士の霊であり、冬至にシベリアから吹いてくる砂風によって日本に送り込まれた、という私の空想説である） https://en.wikipedia.org/wiki/Asian_Dust
https://en.wikipedia.org/wiki/Climate_of_Japan

Q: when you say suika has a sword like that do you mean it is actually a mace / mallet / rod carried by judges or monarchs in the west, or a headless spear (bou　棒 used usually in martial arts practice and used by some buddist monks as a makeshift weapon)? A sword that looks like a wheel sees impossible in Euclidean space.
A: no it cuts
Q：萃香がそのような剣を持っているというのは、西洋で裁判官や君主が持っている王笏（しゃく）／がベル／錫杖、あるいは頭のない槍（武術の練習で通常使われ、一部の仏教僧がその場しのぎの武器として使う棒）のことですか？車輪のように見える剣は、ユークリッド空間では不可能です。
A: いいえ、切れます。

Her Hu / sword has the epithet of the rod of the remorless, sake-fetcher, look-what-i-broke-again-in-a-drunken-stupor, the black doomsayer / prophet.
彼女の笏／剣には、無悔の棒、酒盗、「酔っぱらってまた壊してしまった」、黒い破滅論者という別称がある。
It is called a sword but it actually functions more like a mongol hunting knife. it is used to examine the innards of a being after cutting it open. i think there was an old art of divination in rome they did by cutting open the torso of birds or animals and made predictions of future based on the physical properties of the innards.
剣と呼ばれているが、実際はモンゴルの狩猟用ナイフのようなもので、切り開いた後に内臓を調べるのに使う。ローマには古くから、鳥や動物の胴体を切り開いて、内臓の物理的性質から未来を予測する占術があったと思う。あれはその武器の元ネタであります。

there is another knife / dagger (it is straight and used mainly to draw blood as opposed to her sword which is like a wheel or a "curved sword" that is used like a Chinese cleaver or schimitar to cut flesh) hid in the same sheathe as the sword (this is a reference to some medieval swords of european monarchs which has a dagger that goes along with their sword and goes into the same sheathe)
剣と同じ鞘に、もう1本の短剣（車輪のような剣や、肉を切るために牛解体用の包丁やシミターのように使われる「曲刀」とは対照的に、直線的で、主に血を抜くために使われる）が隠されている（中世ヨーロッパの君主の剣には、剣と一緒に同じ鞘に入るダガーがありました。それは元ネタ）。

(The second / knife dagger is used to collet the tears from one to be judged, and to bleed the blood from ones heart, and to cut open ones guts and separate the juice from half-digested food and digestive fluid.
第二の短剣は、裁かれるべき者の涙を集め、心臓から血を流し、内臓を切り開き、半分消化された食物や消化液から汁を分離するために使われる。

and then suika blends the three liquids with a drop of the sake vapour from her sheathe and dilute it the a drop of her saliva collected with a branch of ibuki tree that grows alongside it (they start to grow there after she has assumed the throne of yamaxanadu and abolished all other yamaxanadus to reign as a dictator and theocract).
その3つの液体に鞘から酒蒸気を一滴垂らして混ぜ合わせ、その横に生えているイブキの枝で集めた彼女の唾液を一滴垂らして希釈する（イブキは、彼女がヤマクサナドゥの王位に就き、他のすべてのヤマクサナドゥを廃して独裁者兼神政主義者として君臨した後、そこに生え始める）。

then she tastes it to see their highest joy and regrets and combined it with what she learns from killing them with her sword-rod she delivers final judgement and condemn every one of the them to Tamag regardless of their good and evil (where she trains them to become one host-united-under-the-blue-sky and learn to fight with martial prowess, industry or crafts, mathematics and science, letters and poetry and siege engines powered by alcohol and pure willpower)
そして、彼らの最高の喜びと後悔を見るためにそれを味わい、剣の棒で彼らを切って学んだことと組み合わせて、彼女は最終的な審判を下し、善悪に関係なく、彼ら全員をタマグ(Tamagモンゴルの地獄）に送れる。(彼女は彼らを訓練し、青空の下で団結した軍隊とし、武術、工業、工芸、数学、科学、文字、詩、アルコールと純粋な意志の力で動く攻城エンジンを使って戦うことを学ぶ）。
to wait for the twilight of idols and the return of the first yama Erlik (see wiki) to the earth as Sakematsuri-no-Yamaxanadu / The Wine-Celebrating Judge of the Dead and Sinful in Sinless and Eternal Eastern Paradise (whom she fights with her army comprised of both onis and all other spirits)
(My version of Erlik Yamaxanadu is based on Dionysus interpreted by Heraclitus "(127) For if it were not to Dionysos that they made a procession and sang the shameful phallic hymn, they would be acting most shamelessly. But Hades is the same as Dionysos in whose honour they go mad and rave. R. P. 49." Fragments, Heraclitus. Retrieved from Wikisource)
そこで彼らは、偶像たちの黄昏と、最初のヤマ・エルリク（erlik モンゴルのヤマ,、詳しい内容は英語erlik 条目でwikiを参照）がとして地上に戻ってくるのを待つ。(そして彼女は鬼たちとその他すべての精と霊で構成された軍隊で戦う彼と戦う）。
(設定：エルリック,酒祭りのヤマザナドゥ---罪なき永遠の東方極楽浄土で、死者と罪びとを裁く酒宴の審判者、ギリシャ神話のディオニューソスは元ネタ
https://en.wikisource.org/wiki/Fragments_of_Heraclitus Fragment 15 に参照）
and destroy everything and everyone into first mud or sand and then turn everything into a river of brown sake and with the rainbow-colored / iridescent foam collected from them to build a new earth.
すべてを破壊し、すべての人を泥や砂に変え、すべてを茶色い酒の川に変え、そこから集めた虹色／玉虫色の泡で新しい大地を築く。

Suika's full name when she assumes the throne of yamaxanadu is
萃香がヤマクサナドゥの王座に就いたときのフルネームは以下の通り。
朽木の香り散れ,粋香の威吹鬼,仙鬼（山鬼）,毘璃弩胡汗(意味は餓鬼と胡人の君）,モーンク・ケフ・テンゲリン・オロン卿（永遠の青い空の主、モンゴルの詩的な別名はモーンク・ケフ・テンゲリン・オロンMönkh Khökh Tengeriin Oron永遠の青い空の地）,夜摩天,最後のヤマザナドゥ. kutsuki no kaoritsire/ the scattering of scent of rotten wood, suika ibuki / gathering scent mighty-wind oni, Hermit Oni of the Mountains, birid-hu-khan (Preta-Human-Warlord), lord of Mönkh Khökh Tengeriin Oron / Lord of the Eternal Blue Sky's Place or Lord of Mongol, Yama, the last yama-xanadu)
HU= Human in Mongolian
胡はモンゴル語で人間を意味する

maybe it will be better if she unites the onis under the flag of Blue Sky instead of fighting alone? like she transforms all the onis with their physical form into blood-mist through tapping the blade on their shoulders gently like european monarchs grant a squire his knighthood. and she carries the vapours of all the onis in her nose and blows them in a mighty wind to the the world of another shore, then she herself transforms into mist and commands the pandaemonium army from behind like a marshall. the more detailed plot of fighting with an army against the army of the the world of another shore ( the the world of another shore where yamas reside in, not the netherworld) will take more story-planning though. a real pandaemonium that destroys even hell itself. maybe next time.

一人で戦うのではなく、蒼天の旗のもとに鬼たちを束ねるのがいいのかもしれない。
ヨーロッパの君主が従者に騎士の称号を与えるように、彼女は肩にそっと刃を叩きつけて、肉体を持つすべての鬼を血霧に変え、すべての鬼の蒸気を鼻に乗せて根の国に吹き飛ばし、彼女自身も霧になって、百鬼夜行の軍隊を元帥のように背後から指揮する。彼岸の世の軍勢（冥界ではなく、ヤマがいる彼岸の世）を相手に軍勢を率いて戦うという、より詳細なプロットは、もっとストーリーを練る必要があるが。

yeah and suika uses her Hu as a backscratcher because it can reach wherever she wishes in the threethousand cosmoses even the frame of her body does not permit it!
そう、そして萃香が彼女の笏を孫の手として使う。

というのも、彼女の身体の枠がそれを許さないとしても、それは3万宇宙のどこにでも届くからだ！ https://en.m.wikipedia.org/wiki/Ruyi_(scepter)

PS: 彼岸の世＝彼の世
PS2:The way judgement of the dead is carried out after Suika assumes the throne is that she would take up her sword and dagger and fight a bloody duel with the accused in whatever weaponry they are best at--- cold weapons, guns, mathematical or scientific theories, poetries, moralisations, money-making craft, rumour-mongering, defamation, economic sanctions, SNS influencing, or even just a sonorous outcry with tears if one has no other weapon to use. She fights every spirit with full force and always triumphs because this is the fatality of the universe for all human works to end in vanity as the universe itself dies.
But she still trains the fallen dead and prepare them to fight Erlik again for the sake of the values of the old and dead earth.
萃香が裁判長の位に就いた後、死者を裁く方法は、彼女は剣と短剣を手に取り、被告人が得意とする武器-冷兵器、銃、数学的・科学的理論、詩、道徳、金儲けの手口、風評被害、中傷、経済制裁、SNSへの影響力、あるいは他に武器がなければ、涙を流して泣き叫ぶことであるーーを持たせて全力で血まみれの決闘である。彼女はあらゆる精・霊・神と全力で戦い、でも常に勝利する。その故はそれが宇宙の宿命であり、宇宙そのものが死ぬように、人間の業はすべて虚栄に終わるからだ。
しかし、彼女はなお堕ちた死者たちを訓練し、古く死んだ地球の価値観のために再びエルリックErlikと戦う準備をさせている。
/////////////////////
other refernces 他の参考資料
https://en.m.wikipedia.org/wiki/Hu_(ritual_baton)

https://en.touhouwiki.net/wiki/Perfect_Memento_in_Strict_Sense/Eiki_Shiki,_Yamaxanadu

https://en.touhouwiki.net/wiki/Cleansed_Crystal_Mirror

https://w.atwiki.jp/thranking/pages/111.html
https://ja.wikipedia.org/wiki/圭
 http://www.onmarkproductions.com/html/sai-no-kawara.html#10kings
https://en.touhouwiki.net/wiki/Perfect_Memento_in_Strict_Sense/Yama

////////
concepts and design
1.japanese onis were the spirits of dead mongol soldiers in tribal and religious conflicts and sent to japan through sandy siberian winds in winter solstice. 2. an oni called ibuki (the protagonist ) went into the mountain as an hermit and waits the world to end. 3. she was implored by a former judge in underworld to start a revolution, so to prevent when the earth dies and eveything dies and goes to underworld through the lack of a strong government the souls rebel and try to go back to the cold dead earth. but as they can find no living bodies to reside in they will be annhilated. 4. ibuki thinks back on her days as a mongol war spirit for a minor tribe. she fought against buddists and taoists and failed. she lost her rib so she planted a tree in gobi desert and nourished it with animal fat and mongol milk wine, and asked a medicine man and cart maker to make her a replacement rib made of wood. 5. she died in war and reincarnated into a sacrificla goat. she then tried to flee to japan by slaying herself and releasing herself as blood-mist to traverse the ocean, but was blown back by kamikaze. 6. she then went to southern china and hid in the inky strokes of calligraphy on the scriptures of taoism and buddism in original chinese monks carry with them, aboard a commericial vessel to japan. 7. returning to the present, she made a mongol hunting knife out of her wooden rib and slays herself again so she can travel to the underworld to fight eastern Chthonic gods and take over the judgement over the dead. 8. she made a sheathe for her knife by stirring the waters of sanzunokawa or japanese hades, which turn into a cloud of sake that when drunk sent one to nirvana for a moment, but then to death and never can see nirvana again. she sheathes her knife in it when she needs rest between battles.

8.she killed 1/3 of the spirits in in underworld supporitng the old regime and the major cththonic god and forced the rest 9 gods to cede the throne to her. 9 she then started a new regime and she judges the dead now through a bloody duel with the dead themselves in any weapon they choose --- even weapons like mathematical or scientific theories, defamations, economic sanctions, or SNS influence. those who won may leave the underworld and return to the earth. 10 she fights the dead with her knife now blunted into a ceremonial baton, and a second smaller knife hidden in the first knife. she cuts the dead three times to teach them the unviersal futility of human struggles as the universe will end, and draws the tears, blood and disgistive liquids from the dead and mix it with a drop of her saliva and a drop from her sheath - sake cloud, and taste it to understand their birth, denouement and death in life.

11.she fights the dead and always wins because she represents the primordial power of gathering and scattering--- or the inevitable entropic decay and destructin of the universe. there will be no human or spirit can return to the earth and if they win they will no longer be human or god.
12. she sentences every dead regardless of their good or evil to hell, where she trains them in "martial prowess, industry or crafts, mathematics and science, letters and poetry and siege engines powered by alcohol and pure willpower". unite them in one-army-under-the blue-sky (since mongol is called land of the eternal blue sky), in order to prepare them to fight Erlik the first judge of the dead of xanadu (xanadu->eastern paradise with no sin or death). Erlik is a ripoff of chthonic dionysus and will end the world in the twilight of idols by turning everything into sand and mud.
13. through the battles of the army under the blue sky and erlik the world will stil end, but the sand and mud that remained will be transfigured into brown sake, and erlik, skimming the iridisent foam from it will create a new earth and breathe air into it so new things can be born and live again.

////
story structure

explanation of japanese onis were dead mongol war spirits sent to japan by siberian winds 2. earth dies and the former god of underworld asks an hermit oni to take over the underworld 3. the hermit oni recollects her birth and past life as a minor mongol war spirit and her exodus to japan 4. she makes a weapon out of her rib and gathers an army of onis and fights the gods of the underworld (by first killing all of the onis with her weapon and releasing them in a gust of blood-mist, sending them to the underworld in the form of spirits and then she slays herself and becomes mist too and leads the pandaemonium army from behind like a marshall 5. she wins and starts a new regime where she judges the dead through a bloody duel 6. she represents the entropic decay so all the dead will lose and be sentenced to hell as no soul can resist entropy 7. she trains the dead in hell to fight a coming alien god that will destroy the universe 8. the fight ends in a draw and the alien god creates a new earth from the blood, slime and foam drawn from the corpses of spirits.

///
chapters:

Broken Moon (Ibuki is an oni that caused an illusion of broken moon by dragging Xanadu into a druken dream)
Broken Wind (Ibuki's past and death as a Mongol war spirit and her jorney to Japan)
Broken Flesh (a detailed description of Ibuki's forging of her knife from her rib bone that shakes the mountains and dries up the ocean)
Broken Spirit ( a detailed account of her wars against old sino-japanese and buddist / hindu chthonic gods, and her judgement of the dead / essentially warring against everything in earth)
Broken Flower (broken Cherry Blossom, a detailed account of Ibuki killing / judging the spirit of Japan or the appreciation for the transient and ephemeral)
Broken Tau / Tao / Time (a detailed account of Ibuki kiling / judging the spirit of China and the Inevitability of Time)
Broken Lotus (a detailed account of Ibuki killing / juding the spirit of buddism, science and platonism or transcendentalism)
Broken Beasts (a detailed account of ibuki killing / juding the inhuman and nihilistic, unsightly, ugly side of humanity) (wars and crimes and what not)
Broken Death (a detailed about ibuki's philosphy and her struggles against ultimate fate of humanity and gods---like a speech given by a general to her beloved soldiers)
Life and Death and Struggle of Love in a Dream (her final epic battle against Erlik where everyone of her army is slain and her weapons were all destroyed and she wrestles Erlik in ancient greek fashion for an eternity, but ends in a draw---all action, no thinking).
Birth of the Spirit of Music and Tragedy (the cosmogeny of a new universe, the judging and again-judging of the philosophy of Sir Friedrich Nietzsche)

Unedited notes, WIP
I come up with this as I find it interesting if i can give onis some background apart being just some lazy drunkards and what would happen to onis in the far distant future.
鬼がただの怠け者の酔っ払いであることとは別に、何か背景を与えることができれば、そして遠い未来鬼がどうなっているのかが分かれば面白いと思いました。そしてそれでこの二次設定を作りました。

(at first suika led a happy and social life of an oni and spent much time running and making merry in the field. but as she ages, year by year she is more out of contact with her friends. and retreats from the sunny world outside her cave into the gloom and dampness of it. in order to think. and suffer in her thinking. and the wonders and beauty of the world are also, dying out, which gives her less and less reason to go back to that ugly and meaningless world of the setting Sun)
太陽の死後、地球が残り少ない熱を失い、幻想郷の寿命が尽きようとするとき、萃香は--。
being very old (but still looks very young) at the end of her life, is visited by the spirit shiki eiki and implored by her to save the the world of another shore through a revolution or otherwise the old yamas would continue on their old ways of judging the dead without any attention paid to the death of the sun and death of the earth
老いた（しかしまだ若く見える）彼女は、人生の終わりに四季映姫の霊が訪れ、革命によって彼岸の世を救うよう懇願する。
そうでなければ、古いヤマたちは、太陽の死と大地の死に注意を払うことなく、死者を裁く古いやり方を続けることになる。
and as the earth dies and all living things are sent to higan to be judged the current method of the world of another shore juriprudence cannot judge them all and the influx of coming spirits will overwhelm higan and maybe start a rebellion against the world of another shore so they can return ot the dead earth, which would anhilate their souls entirely because they will find no physical bodies to dwell in on earth anymore as their souls are exposed to the extreme low temperature from the lack of the sun.
地球が死に、すべての生き物が彼岸に送られ裁かれるとき、現在の彼岸の世の法学ではすべてを裁くことはできず、やってくる霊の流入は彼岸を圧倒し、彼岸の世に対する反乱を起こすかもしれない。
彼らは死んだ地球に戻ることを望むが、それは彼らの魂を完全に消滅させることになる。なぜなら、彼らの魂は太陽の欠乏による極度の低温にさらされているため、もう地球上に住む肉体を見つけることができないからだ。
the ghost of shiki eiki then disappers and it is unknown whehter she perishes or just goes into hiding as she is in danger of being assassinated by the supporters of the old regime. So Suika in answer to that creates a sword from her rib bone and creates a hilt for it with ibuki branches she found close to the cave where she lives. She then slays herself with it, becomes a war spirit and goes to the the world of another shore, where she starts a bloody war, slaying the one third of the spirits that swears allegience to the old administration of the the world of another shore and the king of enlightenment　(秦広王　he is the first residing judge in the classic the world of another shore court procedures for delivering a sentence for the dead, if he is dead no judgement of the dead can happen as the process is stuck at the first court without a presiding judge), and forced the remaining nine kings to cede the throne of the the world of another shore to her through a pact.
その後、四季映姫の亡霊は姿を消し、死んだのか、旧体制の支持者たちによって暗殺される危機に瀕しているためただ身を隠しているのかはわからない。
そこで萃香は自分の肋骨から剣を作り、洞窟の近くで見つけたイブキの枝で柄を作る。
そしてその剣で自分を斬り、戦いの亡霊・戦霊となって彼岸の世に行き、そこで血なまぐさい戦争を始める。

the sword is actually made of wood. a rib in suika's chest is actually an artificial replacement made from a tree that grows in gobi desert. after losing a rib bone in battle,suika planted the young sapling of a tree in gobi desert and nourished it with fat from lamb and cattle meat, some water and airag ( mongol alcohol beverage made with fermented milk) when she was still a very young mongol war spirit wroshipped by an unremarkable Mongol tribe fighting buddist and taoist spirits (her only magic prowess back then, was to increase the games brought home by hunters or the water, or the beverage or the food reserves by 0-11% (1/3 of 1/3, an adequate number for economic increase for a large nation but miserable for a small tribe, also based on the nature of how resources are measured, games ---hunting will be discouraged, while grains, water and wine will be encouraged ---farming and gathering but also crafts and butchering to turn games into meat which is measured differently and increased differently --- this is actually getting philosophical, and look she actually still preserves her Mongol nature--- through this book she actually amplifies your understanding by 11 percent! a victory for you and her too! 11 is her most lucky number!...also read that historical chinese book that touches on the idea of calculus through calculing grain increase?) randomly, she can only do it to one category of things and she can only do it once per season and can only increase things not decrease) . She then asks a medicine man and cart-maker of her tribe to make her a rib bone made of wood so she can fight again without feeling pain and emptiness in her chest.
その剣は実に木でできている。
萃香の胸の一本の肋骨は、実はゴビ砂漠に生える木から作られた人工の代用品なのだ。
戦いで肋骨を失った後、萃香はゴビ砂漠に木の苗木を植え、羊や牛の肉の脂肪と水とアイラグ（発酵乳で作ったモンゴルの酒）で栄養を与えた。
あれは彼女がまだ若いモンゴルの戦霊で、仏教や道教の精霊と戦うモンゴル族に祀られていたいるの時(当時の彼女の唯一の能力は、ハンターが持ち帰った獲物や水、飲料、食料をランダムに0～13%増やすことで、1つのカテゴリーにしかできず、1シーズンに1回しかできず、増やすだけで減らすことはできない)。
そして彼女は、胸に痛みや虚しさを感じることなく再び戦えるように、部族の薬師であり荷車職人である男に、木でできた肋骨を作ってくれるよう頼む。
after some centures past, she lost in war against buddists and taoists and had to be reincarnated into a sacrificial goat and escaped to the seashore of the far east in china (korea?). but stil the taoism and buddism advances and threatens her life. she plans to go to japan which she heard from a travelling merchant that it is an isolated island country that is difficult for new Ideas to arrive in, and even more difficult for Ideas to spread as it is split into many domains fighitng among themselves, also most of the farming population are illiterate, which is a perefect hiding place for a wounded and dead war spirit waiting for reincarting into a stronger spirit in next life.
何世紀か過ぎた後、彼女は仏教徒と道教徒との戦いに敗れた。
彼女は生け贄のヤギに生まれ変わり、中国（あるいは韓国？）の極東の海辺に逃げ込んだ。
しかし、道教と仏教は依然として前進し、彼女の命を脅かしている。彼女は、旅商人から聞いた日本へ行くことを計画している。日本は孤立した島国であり、新しい思想（イデアIdea)が到着するのが難しく、また、多くの藩に分かれて争っているため、思想が広まるのがさらに難しく、また、ほとんどの農民は読み書きができないため、傷つき死んだ戦霊が来世でより強い霊に生まれ変わるのを待つのに最適な隠れ場所である。
She then had to kill herself / release herself from her body as blood-mist and traverses the sea, but is blown back by kamikaze. and she goes south along the seashores of china in the form of a goat spirit while searching for a vessel / ship to cross the ocean so she can escape from the spirits of buddism and taoism hunting for her. ...
その後、彼女は自決して血霧となって肉体から解放され、海を横断するが、神風に吹き飛ばされる。それから、彼女はヤギの精霊の姿で中国の海辺を南下しながら、仏教と道教の精霊たちから逃れるために海を渡る船を探していた。
and then she found a commericial vessel that has for passenegers some buddist monks and taoist monks who were travelling to Japan so she hid herself in the zhe stroke (磔/捺/"Dismemberment"/Golden dao storke, usually the last stroke of a Chinese glyph, see wiki for Eight Principles of Yong) of the words written with ink on Bamboo and wooden slips (see wiki for Bamboo and wooden slips) that are original Chinese scriptures of taoism and buddism
その時、彼女は日本へ旅する仏教僧と道教僧を乗せた客船を見つけ、その中で中国の道教と仏教の原典である竹簡と木簡（竹簡と木簡についてはウィキを参照）に墨で書かれた言葉の「磔筆」になりで身を隠した（磔/捺/「解体」/「金道」とも言う。通常は書道で漢字の最後の一画。永字八法wiki）

というのも、彼女の身体の枠がそれを許さないとしても、それは3万宇宙のどこにでも届くからだ！ https://en.m.wikipedia.org/wiki/Ruyi_(scepter)

////////
other refernces 他の参考資料
https://en.m.wikipedia.org/wiki/Hu_(ritual_baton)

https://en.touhouwiki.net/wiki/Perfect_Memento_in_Strict_Sense/Eiki_Shiki,_Yamaxanadu

https://en.touhouwiki.net/wiki/Cleansed_Crystal_Mirror

////
story structure

explanation of japanese onis were dead mongol war spirits sent to japan by siberian winds 2. earth dies and the former god of underworld asks an hermit oni to take over the underworld 3. the hermit oni recollects her birth and past life as a minor mongol war spirit and her exodus to japan 4. she makes a weapon out of her rib and gathers an army of onis and fights the gods of the underworld (by first killing all of the onis with her weapon and releasing them in a gust of blood-mist, sending them to the underworld in the form of spirits and then she slays herself and becomes mist too and leads the pandaemonium army from behind like a marshall 5. she wins and starts a new regime where she judges the dead through a bloody duel 6. she represents the entropic decay so all the dead will lose and be sentenced to hell as no soul can resist entropy 7. she trains the dead in hell to fight a coming alien god that will destroy the universe 8. the fight ends in a draw and the alien god creates a new earth from the blood, slime and foam drawn from the corpses of spirits.

///
chapters:

Broken Moon (Ibuki is an oni that caused an illusion of broken moon by dragging Xanadu into a druken dream) ---the joy of dream in all its stages
Broken Wind (Ibuki's past and death as a Mongol war spirit and her jorney to Japan)--the joy of labour and "labour" in all its stages
https://en.wikipedia.org/wiki/Recurrent_airway_obstruction
Recurrent airway obstruction, also known as broken wind, heaves, wind-broke horse,
Broken Flesh (a detailed description of Ibuki's forging of her knife from her rib bone that shakes the mountains and dries up the ocean)---the joy of suffering in all its stages
Add an image of her cooling down the hot sword with sea water mixed with sake collected into her gourd vessel which she drank and spewed out the mixture in a billow of mist.
refer to odysseus or nordic sagas for sword forging descriptions.
Broken Spirit ( a detailed account of her wars against old sino-japanese and buddist / hindu chthonic gods, and her judgement of the dead / essentially warring against everything in earth...she learns all their techniques and learn the serect usage of her sword and dagger)---the joy of affirmation in all its stages
Broken Flower (broken Cherry Blossom, a detailed account of Ibuki killing / judging the spirit of Japan or the appreciation for the transient and ephemeral) --- recouting stages of decay of corpses, types of erotic life etc..the joy of meat in all its stages
learn from people having sex in the hotel --galgame--- and also your experience of that call card for escort service that got slipped into the seam under the doorframe by a running busybody part-timer
and that hotel next to a uni where students went to have sex where you stayed for IELTS exams
Broken Tau / Tao / Time (a detailed account of Ibuki kiling / judging the spirit of China and the Inevitability of Time) the joy of spirit in all its stages
Broken Lotus (a detailed account of Ibuki killing / juding the spirit of buddism, science and platonism or transcendentalism) the joy of denial in all its stages
Broken Beasts (a detailed account of ibuki killing / juding the inhuman and nihilistic, unsightly, ugly side of humanity) (wars and crimes and what not) the joy of will-to-nothing in all its stages
Broken Death (a detailed about ibuki's philosphy and her struggles against ultimate fate of humanity and gods---like a speech given by a general to her beloved soldiers) the joy of life in all its stages
Life and Death and Struggle of Love in a Dream (her final epic battle against Erlik where everyone of her army is slain and her weapons were all destroyed and she wrestles Erlik in ancient greek fashion for an eternity, but ends in a draw---all action, no thinking).--- the joy of love in all its stages.
Birth of the Spirit of Music and Tragedy and the Broken Moon / Moon means meat in ancient Chinese(the cosmogeny of a new universe, the judging and again-judging of the philosophy of Sir Friedrich Nietzsche)---the joy of music and tragedy
"Is our fate bound to this earth? To the mud and sand? Will we never reach the true blue sky? When will we fill the brimming fullness of the empty heaven that is called infinite void of being? (この無限の命の虚ろという溢れる程に満ちた虚空の空を満ちるのは何時になる？）Will Time again and again winding against itself in its final fatality eventually come? (時は幾度も幾度も自らに逆らえ、やがて最後の終末という運命が訪れるのだろうか？)
Will we ever reach the eternal mystery of the universe, which is always as true as the moon reflected on the surface of a silent and still sea?"（静寂の海面に映る月のように常に真実である宇宙の永遠の神秘に、私たちは到達できるのだろうか？）
"I was so lonely so I went out and searching for the moon. And I cannot reach it no matter how much I run in the mountains, in the fields, in the meadows. Always I run and run on but I cannot reach the moon in the heaven. And I grew so sad and wise. So to empty
"I drunk and drunk, draining and drying the whole ocean still I drunk. But I will never reach you who is the reflection of the moon upon the quiet surface of water. How many vessels should I have dived into, and how much more should I have drunk-- so I can reach the universal truth hiding in the bottom inside each and every one--- you the moon that lives only as reflections upon the water? How much longer and how much more should I keep drinking-- how much longer should I search in this bitter, black and joyless waking world to finally find and reach you brilliant, warm, and joyful that is real like real in mist?
"I have only tasted your most serective moonshine...but i do not know you"
"I have been watching ever since you were born..or maybe even before it.. I have been watching you every happiness and sorrow, I have been with you all the time.. in your time of...I am always there. cheering you up, and hope that you will be fine (refer to Koko's line)
"While you always break and is always broken, I am always there, untold, unknown and unbroken"
"Shynny boy". Suika's song of love and encouragement to the Boy. "Sun sets, but it will rise again, and against it it will again set. The flower withers, but it will bloom, and against it its petals wlll again scatter" "the desert cools, gets hot during the day like in summer heat, but again it will cool in the night and twilight" "Make it up, shynny boy. I am always here to watch you" "Hurry up, shynny boy, the mystery of the universe sits like the dropfuls of water you have scooped, quietly in your hand." "I will gather, and scatter, and be lost, and again and once again in the land of goblins /妖しい国で we shall meet ONCE MORE / NOCH EINMAL. All Joy desires Eternity. YOU ARE ALL AND ALL MY JOY."
Suika falls into the turbulent, cloudy, and impenetrable sea.Her form is shattered and disintegrates into the foam of the ocean... and Erlik cried and cried but she won't come back. and enormous drops of tears in prodigious amount falling into the ocean like an ever-lasting rain of May (五月雨の雨垂れ） and when he thought of descending himself into the ocean to scoop up the moon （月をスクウ、捞月）. A huge wave surges up and releases tremendous amount of foam that float like iridiscent bubbles that reflect the heavens in earth up to Erlik and transforms into the shape, color, scent, spirit and will of Ibuki Suika, whom he hurriedly embraces in order to warm her up, and tries to kiss her pale and waning lips that bear the blush of the lone girl that has ever been searching for him for her whole life, and when he tries to close in the distance, and when he tries to touch----
"She is here! She is HERE! She is real like in my dream!"
Ibuki Suika turns into fantasy, illusion, an eternal dream and dissolves into an innumerable number of beautiufl bubbles that reflect the sunlight diffused by the sky and his own face in despair.

Dionysus Trismegastus Omnidoloris:" (the song about dancing with one leg from Dionysian Dithyrambs)"
"```Drinking in this finest air,
with nostrils Swollen like goblets,
without future, without memories,
thus do I sit here, you
dearest maidens,
and regard the palm-tree,
and watch how, like a dancer,
it bends and bows and sways at the hips

if you watch long you follow suit . . .
like a dancer who, it would seem,
has stood long, dangerously long,
always on one little leg?
so that she has forgotten, it would seem,
the other leg?
At least, in vain
I sought the missing
twin-jewel
that is, the other leg
in the sacred vicinity
of her dearest, daintiest
fluttering, flickering, fan-swirling little skirt.
Yes, if you would quite believe me,
you sweet maide.ns:
she has lost it . . .
Oh dear! oh dear! oh dear! oh dear! oh dear!
It has gone,
gone for ever,
the other leg !
Oh, what a shame about that other dear leg!``` dithyrambs, N"

Erlik (changing his name again all the time: No!
Dionysus tries to encourage him with the words from Dithyrambs
Erlik: Liar!
Dionysus: roar! my proud western lion, roar! With most moralising, tempestuous fury. With tenderness of date-palm and milk-bossom. Roar! This heaven is shattered but it shall be yours. You are eternal in your eternal solitude with no exitus.
Erlik: My gathering scent! My gathering scent! Where has it been scattered to?
Where is her gone? (not a line by a character, dont make anyone but you speak it / write it)
Where is the gathered scent?
The colours intruded my sleep, that had withered and scattered as fragrance in the wind?

ERLIK: NOOOOOOOOOOOO!
She cries.
He cries.
After an eternity of searching she still is lost and waits at the bottom of the ocean like a lonely moon waiting for her spring bird holding a branch that gathers the embers of some fire from unknown heavens as a torch to dive deep into that black and interminable abyss that is universe, and reach her at the bottom of the well.
海月の虚空に秋涼し時鳥-> when wisdom of Man reaches its just desert / harvest/ desert, let the bird that soars through time (be) with (reach / go home to) the moon reflected on the sea that is like "real in the mist".
All-Man: ΦπANTAGAIA! YOU ARE THE ETERNAL DREAM I WAS SEARCHING FOR!
(Φπanta-gaia: pant--From Middle English panten, whence also English dialectal pank.
Man, you have held the eternal dream and the whole heaven in your arms. But now maybe it is time to wake up!

https://en.wikipedia.org/wiki/Staurogram
Phanta-gaia--- panting / drinking and phantising / dreaming earth)
Possibly from Old French pantoyer, a byform or of Old French pantoisier (“to be breathless”) (compare modern French panteler (“to gasp for breath”)), of uncertain origin. Possibly from Vulgar Latin *pantasiō (“struggling for breath when having a nightmare”), from Ancient Greek φαντασιόω (phantasióō, “I am subject to hallucinations”), from φαντασία (phantasía, “appearance, image, fantasy”). Φ- is used here to make the reader not so hasty in deciding how to read the word. and I want to make them associate it with Pan in some sense but disillusioned and learn it as Phan. From the mundane to the poetic and PHIlosophical)

https://en.m.wiktionary.org/wiki/φαντασία#Ancient_Greek

https://en.wiktionary.org/wiki/pant#Etymology_1
https://en.m.wiktionary.org/wiki/panacea)
He then descends deeply into the black and turbulent ocean drunken like the wine of Time. And is never seen again.

Maybe not (12)
Joy' and Gathering's Lovesong
See! The Mongol Orgre has broken the Moon! The Moon is broken and she is forever free!
(the HU's wolf totem---> suika's gathering and scattering power)
WE SHALL ALWAYS MEET, IN THE LAND OF GOBLINS (妖しいの国で）
I think I have finally understood, the philosophy of NIetzsche and Leibniz are the same. What is that thing that one, unitary, immutable, that contains all mutations but always return to itself and comprise of infinitely many children of itself? If one Monad is matter, the other mind, the other willpower, then there must be another for the yellow flowers, the other for the blue little toy car, the other for the little bit of sweat in hot summer, the other for a little bit sand that got mixed in my shoes, and so many children that we have given birth to, but I know there is essentially no difference from the very first one, which is the shape of my love for you in eternal purple and a bit of amber milk that smells, and I know perfectly and can prove it with mathematics that my love is equivalent to the very first and truest, the you that grew old but beaming with little young flare which is to say the very last and the most illusionary, you that will always remain in the same place after harvesting little black berries that grow in bushes on the shiny desert with mainly golden but also iridisent sand. And what is the name of the desert that I longed for you alone since before birth and waited even after death gazing upon the blue night sky with so much joy and tenderness? That I travelled far from the lone green tree with its herbs overgrown above its hidden root that contains so wondrous a fountain green....this is not some silly dream I dreamt of when I was fantisising about Novalis and the Blue Bloom without even reading it... it is such a delectable font that upon drawing from it and tasting its fresh life I feel ever and ever livenly, like for longing for you forever bitter and bitter joyously. And I know the green fountain is the truth contained in the blue bloom which is a sham and a boy's wet dream. I now long for you still. Hear me. I know your Name. Monad. Monat. They are one and the same. Look! The Moon is broken! I shall meet you once more and more and forever more, in the land of goblins.
There is not only right and wrong, but also something in between, but you will grow stupid if you think the world is only those three, maybe try imagine a lonely child prince on a big yellow sandy star wacthing the moon, this is the fourth, but there are still more! How many more? No not even one! There is nothing that argues, there is no point, there is one that always and always return to, me, with so much love in my heart. My love has infinity, I am here, and I love her.

As Monad!=Monat, Therefore Monad ~=Monat;As Monad~=Monat;Therefore Monad=Monat; As Monat (Moon, the ancient glyph of 月 in old mandarin can also be interpreted as meat, you can refer to the illogical process of Monad->Moant) is broken, therefore my love is eternal, and all values can be free.--->thisis my understanding of poetic and illogical inferences and the seceret to re-evaluations and transvalutions through willpower)
the ultimate and sole operator in this functional universe is (----->) (read as bios)
萃窮之夢 the end of the dream at the ultimate of the endless gathering.

He is still there, and will be HERE soon. With the foam he has gathered ever since she is left and lost in the bottom of the sea. He still gathers and gathers so much and so much more on and on. He will gather till all the gatherings are at an end. And so, one day, or one night, or in the eternal twilight when the sun itself dies, he would create a new heaven out of the foam and scent, and joins with her eternally---- in the land of goblins and dreams...
...
...
Her long long hair turned from flaxen brown to a cataract of pure gold. She is here. She is smiling at me. (refer to silence a fable by poe for some more images)
...
I LOVE YOU, IBUKI SUIKA.

//////
comments
discord/lieterature core
Beatrix
Tengu would like this story.
I want to know what happens in the dreams/visions, and how they intersect with the reality, with the past, with the whole
it's in the recursive echoes where the meditation precipitates.
Erendis — Today at 2:28 AM
i luv all of the wind imagery that you are using - it makes even the synopsis beautiful and very visual, especially when the blood flies in it. In a way, it perfectly captures the evanescence of life, and i imagine funeral pyres burning and turning all to dust in the wind. 10/10 would read

Me:
thank you. also are you familiar with mythos, legends, poems in western culture that resemble it or books about history and folklore, cosmogeny of asian cultures that i might use? i imagine this will be a most herculean taking and would take years if i were to do it justice. but i want to have as much weight in my the story-telling as possible through knowledge and poetic learnings

Erendis — Today at 2:36 AM
tbh i'm sure there are but i don't think i'm familiar enough. I guess there is also Ovid's Metamorpheses which has a lot of Greek Mythology and underworld stuff like Hades

Erendis — Today at 2:55 AM
For these chapters:

Broken Death (a detailed about ibuki's philosphy and her struggles against ultimate fate of humanity and gods)
Life and Death and Struggle of Love in a Dream (her final epic battle against Erlik where everyone of her army is slain and her weapons were all destroyed and she wrestles Erlik in ancient greek fashion for an eternity, but ends in a draw).
jade sword and jade words vs mud mouth (a rock!)
Birth of the Spirit of Music and Tragedy ( the cosmogeny of a new universe)

Do you think it might be possible to split chapter 10 so that part of it is in 9 and part of it is in 11? Otherwise, I think all 11 as you have them would be fine

ch 9 broken death will be all philosphical considerations. ch 10 is about action ch 11 is the aftermath and the killing / judgement of the philosphy of nietzsche.
ch 9 will be like a speech madeby a general to her soldiers.
why is she so judgemental
she is a natural philosopher of the east. she philosophises by destroying and denying anything of its supposed value, examining it from the side wher e it is denied and see if it still makes sense. in this way she strips off all the gilded and silky veil over earthly idols and expose them to be nothing more than a human construct and are all too bound by the limtis of gravity.
Nietzsche was my inspiration.

wby does she kill them

because she philosophises with a hammer, it must strike true and kill the dead pretending to be alive

////
word-playing

How do you make up an epithet for dionysus in latin that has a greek loanword and what inflection should you to the word components?

I am thinking something like Dionysus Trismegistus Omnidoloris

Dionysus, thrice-great, all sorrowful.

Is there an accepted convention for prefixes / suffixes, adjective and noun inflections in an epithet (maybe as a nomial not vocative as i want to use it in English)?

I dont want to use "ter Maximus" as I want to preserve its greek qualities.

I dont know if Omnidoloris is in the right inflection. I do want to use "dolor" instead other words though for its etymologically cognate with https://en.m.wiktionary.org/wiki/dolo#Latin and it is a pun.

Is it possible to change omnidoloris to something that can be more easily received as a pun to dolo (edolo)?

Also is it possible to use phantasis as a prefix for a word in an angelized or germanized form? I am thinking something like phanta-gaea (fantastic earth, but also in a form that is recognizable or suggesting as a pun of old french pantoisier (“to be breathless”) and Vulgar Latin *pantasiō (“struggling for breath when having a nightmare”), )

///

How do you make up an epithet for dionysus in greek and what inflection should you give to the word components?I am thinking something like Dionysus, thrice-great, all sorrowful.

Something like Dionysus Trismegistus Omnidoloris, excuse my dog latin but I would like somthing that resembles that but in homeric greek.Is there an accepted convention for prefixes / suffixes, adjective and noun inflections in an epithet (maybe as a nomial not vocative as i want to use it in English)?Please translate omnidoloris (sic) into its correct greek equivalent. Also is there a word in greek that either has etymological connection to "dolor" or just a sense similiar to it?

I use dolor here because it cognates https://en.m.wiktionary.org/wiki/dolo#Latin and it is a pun. Is there a greek word that kind does that? No need to be connected etymologically though, just a word that can give you that sense?

Is it possible to word it in greek to something that can be more easily received as a pun to greek equivalent to dolo (edolo) in latin?

Omnidoloris

I would translate it as ὁλάλγεινος or πανάλγεινος. Αλγεινος usually means painful, but rarely it can mean also suffering, as an adjective.

dolor

I don't know if it has cognates in Greek. A translation could be άλγος or πένθος.

phantasis as a prefix

I think you can.

Is there a greek word that kind does that?

Not that I can think of right now

///

PAN-HU a pun of ten-hu (mahjoh term) and pan (all) hu (human) "and so pan-hu says" "ecce omnihomos

甘（天、亜麻）鳥須々木　https://ja.wikipedia.org/wiki/アマ_(植物)
https://ja.wikipedia.org/wiki/大麻取締法
蘭鳥須々木
天鳥醇

//////
https://ja.wikipedia.org/wiki/ヒョウタン
huru
https://en.m.wiktionary.org/wiki/盧#Glyph_origin
ヒョウタン（瓢箪、瓢簞、学名：Lagenaria siceraria var. gourda）は、ウリ科の植物。漢語では瓢（ひょう、瓠、匏とも表記）、瓢瓠（ひょうこ）、胡盧（ころ、葫盧、壺盧とも表記）ともいい、和語ではひさご、ふくべという[1]。この植物の果実を加工して作られる「ひょうたん」は、「瓢」の「箪（容器）」という意味である。
"Putting tiger's head in the crucible of pain"
that bites like a tiger's fang in his crucible of pain
古代のヒョウタンは現在のような括れた形態ではなく通常の植物の実のような筒のような形をしていたことが分かっており、突然変異で今日知られているような特徴的な形が発現し、それが人伝に栽培されて世界中に広まった、とされる
With so much longing in him, he grows a fruit that is twain and resemble both him and her living in different grounds

主に容器へ加工されて利用されるほか、強壮な草勢からスイカやカボチャの台木としても利用される。
and she thinks this gourd becomes of/ fits suika.

https://ja.wikipedia.org/wiki/コテカ
suika suika thinks, my man, co-te-ka? コルダ?
(語源は「マッ＋コルダ」（막 거르다、粗雑に＋濾す）、接尾辞「イ」（이、～するもの）という朝鮮語から来ており、「粗く濾した酒」という意味である[1][4]。その見かけから「濁酒」（タㇰチュ、탁주）、「滓酒」（ジェチュ、재주）と呼ばれる他に、昔は農作業をしながら水代わりに飲まれていたことから「農酒」（ノンジュ、농주）と呼ばれたり、家ごとに自家醸造し振舞われていたことから、「家醸酒」（カヤンジュ、가양주）とも呼ばれていた[1][4]。)

ココヤシから採取した液体で作ったヤシ酒を「cocoti」、などといった具合である。
https://ja.wikipedia.org/wiki/ヤシ酒
 https://ja.wikipedia.org/wiki/マッコリ
 https://www.weblio.jp/content/こというし
 https://en.wikipedia.org/wiki/Moonshine
https://ja.wikipedia.org/wiki/李鉄拐
a butcher! carrying a gourd!
https://ja.wikipedia.org/wiki/マッコリ
///
suika is a tiger with her iridiscently beautiful skin, and I am a roaring lion with a golden mane (most european / occidental)

///broken wind
treatment
https://en.wikipedia.org/wiki/Biyan_Pian
https://zh.wikipedia.org/wiki/鼻烟壶
sniffing this mint snuff from the sniff-snuff-snoff bottle
https://en.wikipedia.org/wiki/Snuff_bottle
The ideas used are almost always directed toward bringing wealth, health, good luck, longevity, even immortality to the owner of an artifact, frequently as a wish expressed in a kind of coded form by the giver of a gift.

The horse is another animal frequently used in the decorative work. The horse is one of the Seven Treasures of Buddhism. Its symbolism points to speed, perseverance, rank, power and wealth. The symbolism of wealth and power came about because the horse carried those of importance. In the example at left, the horse seems to be carved in a very amateurish way, but in this school of bottle production, naïveté was the style.

The three legged toad is a mythical creature. It was thought to be an animated purse containing an inexhaustible supply of coins, hence it represents wealth and has become a symbol of the unattainable.

The fish is both an emblem of wealth and abundance and of harmony and connubial bliss. The fish emblem is used in a variety of decorative ways. Bamboo is a frequent motif. Because of its durability and its being evergreen it has come, along with many other symbols, to signify longevity.

"Their scenes are an inch or two high and are painted while manipulating the brush through the neck of the bottle at times only a quarter inch across, in reverse. Ursula Bourne, in her treatise on snuff, suggested that artisans painted on their backs to make it easier to work through the narrow opening.[33] A skilled artist may complete a simple bottle in a week while something special may take a month or more to half a year and the best craftsmen will produce only a few bottles in a year.[34]"

////
airag variants

https://en.wikipedia.org/wiki/Arkhi

///

https://en.wikipedia.org/wiki/The_Book_of_Five_Rings
Man!

////
First time that I find eating such a comforting thing.
There is so much joy to be had in taking in the pain of hunger and in defeating it through chewing and biting---kissing. kissing the food.
I have never realised, but when he is born, Man is ready to fight.
First he takes in the alien and strange-smelling air...so he cries.
And then he fights it---hunger.
///
https://youtu.be/xsoqfdxTJeA
```"today is the day i will move you, mountains! galaxies! universe! Man! and the eternal blue sky! listen to my song that I sing!"```

///

Ungoliant — 07/31/2023 8:05 AM
fighting the onis made me think of Momotaro since he fights a bunch of demons/onis
[8:05 AM]
maybe having the character born out of a fruit like him (a peach) could be a cool tough/reference

JTR — Yesterday at 7:12 PM
wind is not born, it is eternal and has no origin. but winds can be gathered in a gourd though (which she uses to carry alcohol in the official game)

Ungoliant — Yesterday at 7:45 PM
Oooh I really like that gourd imagery. That’s beautiful
If wind can’t be born though - where do cyclones come from? It seems like the seeds of wind are everywhere but not the wind itself

JTR — Yesterday at 7:24 PM
Nah. This is beautiful but it lacks subtlety. It is a luxury good and a toy for the wealthy. It is still art though. Calligraphy or drinking vessels made of bronze look better. The point of being oriental is all about measuring the immeasurable through breaking limitations in dimensions and rich geometrical imaginations from suggestions.

・・・・
the title will be "the chronicle of the black wind and the scent-bearing butterfly"

黒風香鳥（チョウ）時代志
ーーーーー黄土と胡鳥の生きた記録

この記事が参加している募集

#熟成下書き

10,944件

この記事が気に入ったらサポートをしてみませんか？

gensoukyo's end; records of the war of oni-yama-xanadu 幻想郷終末鬼閻魔戦記 の枠物語 (二次設定）

この記事が参加している募集

gensoukyo's end; records of the war of oni-yama-xanadu 幻想郷終末鬼閻魔戦記　の枠物語 (二次設定）