- 運営しているクリエイター
#All_Aboard
映画制作日記 #25 「オールアップ！」 | Production Notes #25 "All done!"
During the five days of filming, thanks to the efforts of assistant director JunIchi and line producer Keitaro, we shot as much as possible in order as we approached the final day. In other words, the
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映画制作日記 #24 「これが撮れたからいい映画」 | Production Notes #23 "This is a good movie because I got to shoot it”
In film, there are scenes (cuts) that are called master shots. A master shot is a representative picture that symbolizes the film. A master shot is a scene that is already in your mind when you are wr
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映画制作日記 #23 「JR四国の心意気」 | Production Notes #23 "The Spirit of JR Shikoku”
Haruka, the main character of the story, works for JR Shikoku. She works at Minami Komatsushima Station on the Mugi Line. Naturally, I had to get the cooperation of JR Shikoku. Without their cooperati
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映画制作日記 #22 「朝のミーティング」 | Production Notes #22 "Morning Meeting”
There are many scenes in the house in this film. Every morning in front of the house where the film was shot, there is a meeting with the actors and staff over coffee. This is not a meeting room or a
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映画制作日記 #21 「消えもの」 | Production Notes #21 “Disappeared"
In Japanese, the word "vanishing object" is used to refer to the food that appears in a meal scene in a movie. As the name suggests, it is something that disappears. It's not the same as making a dish
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映画制作日記 #20 「食卓」 | Production Notes #20 "The Dining Table"
This film is symbolized by the scene at the dinner table. The slapstick start of the daily breakfast. The night when Haruka tells her family about her illness. The family gathers not in the living roo
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映画制作日記 #19 「情景」 | Production Notes #19 "The Scene"
The shooting of the movie has begun. The actors and crew gathered early in the morning with their slightly worn out scripts in hand, as if they had been reading them for years. The shooting arrangemen
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映画制作日記 #18「安全祈願」 | Production Notes #18 "Pray for Safety"
Finally, it was time to start filming. All the actors and actresses arrived in Tokushima, where the staff had been preparing for the shoot. We headed straight from the airport to pray for the safety o
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映画制作日記#17「学は藤井草馬」 | Production Notes #17 “Manabu is Soma Fujii"
I previously directed a feature film called "youth" in 2017. It was set in Tokushima, Japan, and it was about a day in the life of a local 20-something. At that time, Soma Fujii played the role of Man
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映画制作日記 #16 「春花は村上由規乃」 | Production Notes #16 "Haruka is Yukino Murakami"
When we decided to make a movie, we talked with the staff at the pub, "Well, who should play the main role? I asked the staff at a tavern. At that time, the assistant director Ichi and the actor Soma
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映画制作日記 #15 「主題歌のこだわり」 | Production Notes #15 "Theme Song Obsession"
When the film was still in the planning stage, I was writing the plot (original story) while listening to a song. All the films I've made so far have started in the same order. As far back as 1992, I
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映画制作日記 #14 「愛すべき勝手な野郎ども」 | Production Notes #14 "Lovable Selfish Bastards"
My film crew is always selfish. They get excited and proceed as they please. They go to shoot the actual scenery (the scenery in the film) without permission, and they decide the costumes without perm
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映画制作日記 #13「簡単に書きやがって(苦笑)」 | Production Notes #13 "You write so easily (chuckles)”
The lead and supporting actors gathered for the first reading. The scriptwriter, assistant director, producer, and music director were also present. This is the first reading of the script, where all
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短編映画 改め 映画制作日記 #12 「またやってしまった。。。」 | Production Notes #12 "I've been doing it again...”
The finalized script arrived in the mail as a script. Oh, I did it again. 3 years ago, when I made my first feature film, it was supposed to be a 30-minute short film, but it turned out to be a 90-min
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