Theaster Gates: Afro-Mingei Exhibition—Mori Art Museum, Tokyo

Rarely does an exhibition in Japan focus on a Black American artist. And even more rare is one titled “Afro-Mingei.” The current exhibit at the Mori Art Museum in Roppongi continues through September 1, 2024, and you should not miss it.

What does this unique expression “Afro-Mingei” mean? Each visitor will interpret it in a different way. First, it does not refer to the highly priced works of art that we call “fine art.” Rather, it refers to the excellent work of unnamed artists for everyday use. In Japan, that would be “mingei” as described by Kawai Kanjiro and Yanagi Soetsu. Although Gates is based in Chicago, he also has a long connection with the potters of Tokoname and their simple, beautiful products.

The term “Afro” refers to the traditions brought from Africa and developed in America. Enslaved Black people built America, using their skills and hard work to create another version of “mingei” that had its roots in many different African countries. Now Black Americans continue to build, create, and contribute to American culture in ways that are often overlooked.

Another nuance of the term Afro-Mingei can be found in the Hammond organ and a wall full of speakers in front of several church pews. It may not be too much of a stretch to view this as musical mingei, simple but highly skilled. It is a reminder that the Black church—like Shinto shrines and Buddhist temples—have always been a base in the community.

This excellent exhibition is a must-see. Visit before September 1.

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シアスター・ゲイツ展：アフロ民藝 | 森美術館 - MORI ART MUSEUM