- 運営しているクリエイター
#新青春
映画制作日記 #25 「オールアップ！」 | Production Notes #25 "All done!"
During the five days of filming, thanks to the efforts of assistant director JunIchi and line producer Keitaro, we shot as much as possible in order as we approached the final day. In other words, the
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映画制作日記 #24 「これが撮れたからいい映画」 | Production Notes #23 "This is a good movie because I got to shoot it”
In film, there are scenes (cuts) that are called master shots. A master shot is a representative picture that symbolizes the film. A master shot is a scene that is already in your mind when you are wr
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映画制作日記 #23 「JR四国の心意気」 | Production Notes #23 "The Spirit of JR Shikoku”
Haruka, the main character of the story, works for JR Shikoku. She works at Minami Komatsushima Station on the Mugi Line. Naturally, I had to get the cooperation of JR Shikoku. Without their cooperati
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映画制作日記 #22 「朝のミーティング」 | Production Notes #22 "Morning Meeting”
There are many scenes in the house in this film. Every morning in front of the house where the film was shot, there is a meeting with the actors and staff over coffee. This is not a meeting room or a
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映画制作日記 #21 「消えもの」 | Production Notes #21 “Disappeared"
In Japanese, the word "vanishing object" is used to refer to the food that appears in a meal scene in a movie. As the name suggests, it is something that disappears. It's not the same as making a dish
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映画制作日記 #20 「食卓」 | Production Notes #20 "The Dining Table"
This film is symbolized by the scene at the dinner table. The slapstick start of the daily breakfast. The night when Haruka tells her family about her illness. The family gathers not in the living roo
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