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Playing in a Slow Decay
Text by Momomi Harada
Translated by Kei Ota
日本語 で読む
My first encounter with the Crying Children Party was in June two years ago, in a minivan at the entrance of an art supplies store. While the miniv
Onsen and Art
Text by Jun'ichiro ISHII
Translated by Kei Ota
日本語 で読む
There was one time a Japanese language student asked me this question.
—What is the difference between an “onsen” and a “sento”?
I enjoy teach
L'eau gazeuse avec beaucoup de fraises de la coopérative commence à avoir du goût.
3ème semaine de l'exposition Kazuya Nakayama
Texte：Keijiro NAGAMINE
日本語で読む
L'exposition de Kazuya Nakayama "What do you think about an exhibition that uses a photograph? ~New recruitment of a galler
J'ai acheté la confiture au lait de Normandie.
2ème semaine de l'exposition Kazuya Nakayama
Texte：Keijiro NAGAMINE
日本語で読む
La galerie KIKA attire des personnes qui parlent de nombreuses langues différentes.
Ils discutent dans l'espace bar situé à
Il existe de nombreuses œuvres d'art qui sont moins intéressantes que les vôtres, alors étudiez comment ces artistes les créent.
1er semaine de l'exposition Kazuya Nakayama
Texte：Keijiro NAGAMINE
日本語で読む
KIKA Gallery a le plaisir d'annoncer l'ouverture de l'exposition "What do you think about an exhibition that uses a photogra
In the Name of Art, How Much Are We Allowed to Do ｜ Kazuya Nakayama Exhibition
Text by Jun'ichiro ISHII
Translated by Kei Ota
日本語 で読む
I was fired as a gallerist for this exhibition.
Meaning, of course, that the artist "fired" me as part of the narrative of the work without exp
Sin and Beauty ｜ Foster Mickley Exhibition
Text by Jun'ichiro ISHII
Translated by Kei Ota
日本語 で読む
If you walk along a beach today you may notice the plastic garbage around you before you notice any seashells. Given the nature of the contempor