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240722 ゲイン馴染みハウス外様・Dip-quat

歌モノには
もう少しゲインが要るのかなぁ

ツイードを鳴らして居て
そんな事を想い出しました

昔の動画を視てると
昔の音源とか聴いてると
そんな事を想うんですよね

あんまりバキッとシた音より
少し円やかで内側が
飽和シて居る音の方が

何と言うか
少し埋もれた方が
イイ伴奏の様な気がスるんです

あのリバーブを使う時の
エンジニアさんが言う処の
馴染む感じ
コレの事なのかなぁ
歌の帯域を邪魔シない
様な気がシます

気の所為かしら

今のリグで伴奏シたら
チャンと合わせて来るのかしら
僕の指先

昔でさえ其れほど器用で無かったのに
今はドンドン不器用にナってるから
そんなウマい事
デキるのかしら

行けてもスタジオまでよね
ライブハウスは
もうシンドいよね
帰りたくなるだろうな

地下でしょう?
控室は狭くてトイレや着替えブース
無かったりスるでしょう?
荷物の置き場が無かったり
狭くて不用心だったりスるでしょう?
客席は煙いでしょう?
楽屋で盛り上がると叱られるでしょう?

って
この情報が最早
メチャクチャ旧いんでしょう?

怖いんですよね
もう外様のコミュニティ
人の部室に入るくらい
入りにくい


240722 Gain and sound familiarity,
difficulty in entering live music venue,
Dip-quat

I wonder if the singing thing needs a little more gain.

I was just thinking about that when I was playing Tweed.
I was thinking about that.

I've been watching old videos.
When I listen to old recordings
I think about that.

I'd rather have a sound that's a little more rounded and saturated on the inside than a sound that's too loud.

I don't know...
I think it's better if it's a little buried
I feel like it's a better accompaniment

I wonder if this is what engineers mean when they use reverb.
I wonder if this is what he means.
It doesn't seem to interfere with the bandwidth of the song.

Maybe it's just my imagination.

I wonder if the current rig would match the accompaniment if I played it with it.
My fingertips.

Even in the old days they weren't that dexterous
Now they're getting clumsier and clumsier.
I don't know if I'll be able to do it that well.

Even if I could, I'd have to go to a studio.
Live music is already so hard.
I'm sure you'll want to leave.

It's in the basement, right?
The waiting rooms are small, with no bathrooms or changing booths, right?
There's no place to put your luggage, or it's too small and awkward.
Smoke in the auditorium?
You will be scolded if you get excited in the dressing room, right?

You know what I mean.
This information is so old, isn't it?

It's scary, isn't it?
It's an outsider's community.
It's hard to enter, like entering someone's club room.

by DeepL

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