They thought they were still talking heads, didn't they?　

The following is from Masayuki Takayama's book "America and China Lie Selfimportantly," published on 2/28/2015.
This paper also proves that he is the one and only journalist in the postwar world.
A long time ago, an elderly female professor of the Royal Ballet School of Monaco, highly respected by prima ballerinas worldwide, visited Japan.
At that time, she spoke about the significance of an artist's existence.
She said, "Artists are important because they are the only ones who can shed light on hidden, concealed truths and express them."
No one would dispute her words.
It is no exaggeration to say that Masayuki Takayama is not only the one and only journalist in the postwar world but also the one and only artist in the postwar world.
On the other hand, Ōe, I don't want to speak ill of the deceased, but Murakami and many others who call themselves writers or think of themselves as artists are not even worthy of the name of artists.
They have only expressed the lies the Asahi Shimbun and others created rather than shedding light on hidden truths and telling them.
Their existence is not limited to Japan but is the same in other countries worldwide.
In other words, there are only a few true artists.
This paper is another excellent proof that I am right when I say that no one in the world today deserves the Nobel Prize in Literature more than Masayuki Takayama.
It is a must-read not only for the people of Japan but for people all over the world.

Bad things always start in Suginami Ward　
The Diary of Anne Frank" was broken.
It started in Suginami Ward, Tokyo.
Photochemical smog, environmental hormones, and other nonsense always start in this ward.
As expected, the culprit was caught, but what was more surprising was the reaction from outside.　
Bloomberg's William Pesek, on the day after the incident was discovered, almost immediately concluded that it was the work of "neo-Nazis" inspired by the "far-right Abe" and went on to call out the prime minister's Yasukuni Shrine visit and accuse him of tampering with the Peace Constitution, and on and on.　
He also took up the issue of the suicide notes of Kamikaze pilots, which he had applied to the Memory of the World Heritage site, and stomped on the hearts of Japanese people, wondering if they would put such madness on a par with "The Diary of Anne Frank.　
But there is also the coral graffiti of Asahi Shinmon.
Do it yourself and blame others.
The U.S. did the same thing with the Maine issue.　
I was worried about whether it was safe to assume that the culprits were Japanese right-wingers, but the next day, both the Times and the Chinese newspapers carried the same statement.　
I looked up why they used the same phrase and found an editorial in the New York Times just before that.
Under the headline "Abe's Dangerous Revision of History," the New York Times editorial abused Abe, saying, "Thanks to the far-right Abe, Japan-U.S. relations have gone awry," and "He is even willing to falsify history, saying there was no Nanking Massacre and withdrawing his apology to the Korean women who were enslaved as sex slaves.　
Is this how he talks to the prime minister of another country?
The lack of dignity is appalling.
But the Japanese side is not in a position to respond.
If we try to argue badly, we will only fall into the other side's trap.
So, we are patiently enduring.
I could see it from the side.　
Pesek and the Chinese people were thinking, "I see. I can say this much," and they said whatever they wanted.
They thought they were still talking heads, didn't they?　
Incidentally, when Chief Cabinet Secretary Suga pointed out the lies that went too far in the New York Times, they were livid and published a correction.　
Their true intention is to avoid getting to the point where Japan gets really angry.

 

2023/10/26 in Osaka