シューマン：オーボエとピアノのための3つのロマンス, Op.94
This Schumann piece is beautiful and romantic, and we'll be playing it on the oboe and piano for your enjoyment. If you're a classical music lover, be sure to check out this video!
00:00 I. Nicht schnell
03:20 II. Einfach innig
07:13 III. Finale: Nicht schnell with retardandi
演奏者 Marco Alejandro Gil Esteva Piano
公開者情報 Marco Alejandro Gil Esteva
演奏者 Astrid Coto, Flute
著作権 Creative Commons Attribution 3.0
備考 Escuela Nacional de Musica UNAM 2010
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シューマン「３つのロマンス」【解説と無料楽譜】
https://vivaclassicalmusic.com/post-8332/
From Wikipedia, the free encyclopedia
The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.
An average full performance lasts roughly 12 minutes.
Background
The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden.[3], Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own "right hand," as a Christmas present, calling them his "hundredth opusculum." Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.
Structure and analysis
The three romances are marked in German:
1. Nicht schnell (not fast)
2. Einfach, innig (simple, heartfelt)
3. Nicht schnell
The three romances are simple, relatively easy to play, and not virtuosic. However, they also require a good amount of breath control. All three affairs are in "song form," or A-B-A. The work's melodies have been described as similar to each other.
The first romance consists of an introductory piano phrase followed by the central theme played by the oboe. The piano has a layered accompaniment. After a faster-paced main section, the movement ends softly after returning to the central theme. The romance as a whole has been described as "tranquil." The second romance, which is in A Major, is primarily a traditional duet between the two instruments with a tense B section that changes tempo twice. It begins with a soft, straightforward oboe presence and a matching piano passage. The 1st tempo change introduces a more attacking and rugged theme. The last tempo change reintroduces the central theme until the end of the romance. Described as "the most rugged and colorful-sounding romance" and reminiscent of Brahms, the final fantasy is the liveliest of the set. There are many mood changes throughout the piece, with the A section being excited and the B section being reserved.
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ロベルト・シューマン再生リスト
https://youtube.com/playlist?list=PLTtHiFCVwL1yHIs-k3sHzAhXtfzjIPTwF
クラシック全般 再生リスト
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#シューマン #オーボエとピアノのための3つのロマンス #Op94
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