今まで日本には無かった日本を描く重厚なドラマ❣️「フクロウと呼ばれた男」

今まで日本には無かった日本を描く重厚なドラマ❣️「フクロウと呼ばれた男」ディズニープラスで配信中！

脚本、プロデュースのデビッド・シン氏が曰く一人の人をモデルにしたわけでは無い、との事だが、
田中泯が演じる黒幕、フィクサー、フクロウ大神龍太郎は目つきや体躯、髪型、話し方などあの戦後たった一代でメディア企業を創り上場させた亡き赤坂のカリスマを彷彿とさせる。
最もカリスマは必ず丁寧語で話す方であったが大神龍太郎は時に丁寧語を外れる場合もあるようだが。

安藤政信が演じる長男、大神一郎は夫婦仲が冷えており銀座？のホステスに入れ込んでおり、最近は偉大な父親の援助を得ずに始めようとしているレストラン事業に力を入れていて、無い金を埋めようとリスクの高い金策に走る。

長谷川京子が演じる長女、弓子は二人の子供に恵まれて商社マン（結城貴史：弓子の夫で為替トレーダー、影山昌弘）と結婚して一見、幸せそうだが、影山はヤバい取引に手を染めている。

新田真剣佑が演じる次男の大神龍は父、大神龍太郎と合わず逃げるようにアメリカ留学に行き、最近、日本のNPOに就職するが家族に帰国さえ報告しようとしない。
公園を歩いている龍は美しいアメリカ人女性とぶつかってしまい、女性のスマホが地面に落ちて傷ついてしまう。弁償を誓う龍がその女性の名刺を貰うと仕事は記者だった。その後、龍はようやく大神龍太郎の70歳（古希）の誕生会に姿を現わす。

中田青渚が演じる大神家の次女・理沙子はシンガーを夢見ていて既に25歳だが魅力的な声と作曲の才能を活かそうとする。が、芸能界の闇に呑まれるのではと大神龍太郎は懸念する。
ドラマ内での中田青渚の歌声は実に気になる、もっと聴きたくなる声だ。

大神龍太郎に本当に話せるのは萬田久子演じる妻、杏子だけかも知れず、取引先や社員のみならず子ども全員も常に監視し続ける大神龍太郎に「私たちの時とは時代が違うのよ」と諭すが、大神龍太郎には届いているようには見えない。

日本国 内閣総理大臣、渡辺しおりを演じるのは原田美枝子、幹事長・竹内創は中村雅俊、政敵・西條宗介は大友康平、ボンクラ厚生労働大臣・丸山ヒロには益岡徹、がキャストされた。

渡辺総理は50兆円の日本再生政策を可能にする法案を通したいが、与党大物の西條が公然と横ヤリを入れて阻もうとする。

渡辺総理は大神龍太郎の誕生会に駆けつけ、裏の会議室で大神に協力を依頼し、大神龍太郎は「悪ともっと酷い悪の間で選ぶなら」と考えながら、これを承諾する。

大神家と親交の深かった中村雅俊演じる幹事長（次期総理候補）の息子が謎の死を遂げ、龍太郎は国家の裏側から、龍は真正面から、政界に潜む巨悪の正体へと近づいていく―。金、名声、女、権力…あらゆる欲がうごめく世界で、それぞれがたどり着いた衝撃の結末とは？

A profound drama about Japan that has never been seen in Japan before.  "House of the Owl" is now available on Disney Plus!

Not based on one person, according to writer/producer David Shin,
Min Tanaka plays the mastermind, fixer, and owl Ryutaro Oogami, whose eyes, physique, hairstyle, and speech style are reminiscent of the charisma of the late Akasaka, who created a media company and took it public in just one generation after the war.
The most charismatic person was always the one who spoke in polite language, although Ryutaro Oogami sometimes seemed to stray from the polite language.

Masanobu Ando plays the role of the eldest son, Ichiro Oogami, whose marriage is on the rocks. He is into the hostess of a bar and has recently been focusing on the restaurant business he is trying to start without the help of his great father, and he is going on a risky money-making spree to make up for the money he doesn't have.

Kyoko Hasegawa plays Yumiko, the eldest daughter, who is blessed with two children and married to a trading company man (Played by Takashi Yuki: Yumiko's husband, Masahiro Kageyama) and appears to be happy, but Kageyama is involved in some shady business dealings.

The second son, Ryu Oogami played by Mackenyu, did not get along with his father, Ryutaro Oogami, and ran away to study in the U.S. He recently got a job at an NPO in Japan, but he does not even report his return to his family. Finally, he shows up at Ryutaro Ogami's 70th birthday party.

The second daughter of the Ookami family, Risako, played by Seina Nakata, dreams of becoming a singer. She is already 25 years old but tries to make use of her attractive voice and talent for composing music. However, Ryutaro Oogami fears that she will be swallowed up by the darkness of the entertainment industry.
Nakata Seina's singing voice in the drama is really curious and makes me want to hear more of it.

His wife, Kyoko, played by Hisako Manda, may be the only one who can talk to Ryutaro Ogami, and she tells him, "Times are different from ours," but he doesn't seem to get it.

Japan's Prime Minister, Shiori Watanabe, is played by Mieko Harada, Secretary General Takeuchi is played by Masatoshi Nakamura, political rival Sousuke Saijo is played by Kohei Otomo, and Toru Masuoka was cast as Hiro Maruyama, the bonkers Health, Labor and Welfare Minister.

Prime Minister Watanabe wants to pass a bill that will enable a 50 trillion yen revitalization of Japan, but Saijo, a bigwig in the ruling party, openly tries to block it.

Prime Minister Watanabe rushes to Ryutaro Ogami's birthday party and asks him for his cooperation in a back conference room, and Ryutaro Ogami agrees, thinking "If I have to choose between evil and the most evil," he will do it.

The son of the secretary general (a candidate for the next prime minister), played by Masatoshi Nakamura, who was a close friend of the Ogami family, dies mysteriously, and Ryutaro approaches the nation from behind the scenes, while Ryu approaches the true nature of the great evil that lurks in the political world - from the front. Money, fame, women, power...what is the shocking outcome that each of them has arrived at in a world where all kinds of greed are thriving?

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