The Challenges of Japan's Art Industry and My Journey in Berlin

When we think of art, words like “freedom” and “expression” often come to mind. However, in Japan, this freedom is frequently constrained by invisible barriers. As a photographer who has been active for the past ten years, I have often questioned the state of the domestic art industry. It seems that in Japan, art is evaluated not purely by its intrinsic value, but rather by the artist’s background, the reputation of the gallery they are affiliated with, or the fame of their mentor. This makes it challenging for an artist to compete solely based on the strength of their work.

I would like to share some of the challenges I have faced, which reflect the issues within Japan's art scene.

Firstly, there is a persistent notion in Japan that "art must be prestigious." For instance, in exhibitions at museums and galleries, art is often perceived as something to be displayed as a "brand" or as a "luxurious commodity" rather than as a means of free expression. This compels artists to focus on the "high-end" presentation and "sophisticated" display methods, which can sometimes narrow the scope of their expression. As a result, the focus tends to shift from the power of the artwork itself to the staging and environment surrounding it.

Secondly, Japan’s art industry heavily relies on evaluations and connections within a closed community. Opportunities such as exhibiting in galleries or being featured in the media are often influenced by personal networks and past achievements, making it difficult for new artists to gain recognition. As a result, even truly exceptional works may not be shown in the appropriate venues or receive the recognition they deserve.

Feeling these limitations keenly, I decided to embark on a street photography journey in Berlin this past August. In Berlin, artworks are valued for their merit, and the artist's fame or connections do not dictate their worth. Over the 15 days I spent there, I simply walked the streets with my camera, capturing the city as I experienced it. The people I met were genuinely interested in my work, and some even purchased my photos on the spot. Through this experience, I was able to feel the stark difference between the art scenes of Japan and Berlin.

What I learned in Berlin is that art does not need to be confined by notions of "appearance" or "prestige." Art should be about the power of expression itself and the artist’s emotions and perspectives encapsulated in their work. While I strongly believe that such freedom of expression should also exist in Japan, the reality is still challenging.

I hope to continue my artistic journey in Berlin, using the recognition and experiences I gained there to pursue the pure power of expression. I also hope that the Japanese art scene will evolve to allow more artists to express themselves freely. While I continue to share my art with the world, I will remain hopeful for such changes in Japan’s art industry.

For now, I invite you to visit my exhibition “Hidden” and see the photo album "Berlin 15 days." I hope these 550 photos convey the Berlin I saw and felt, and that they resonate with you as deeply as they do with me.

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