The Depths of the Pol Pot Trial That "Asahi Shimbun" Does Not Report

The following is from Masayuki Takayama's book "Masayuki Takayama cuts down on the U.S., China, South Korea, and Asahi," published on 12/10/2013.
This paper also proves that he is the one and only journalist in the postwar world.
A long time ago, an elderly female professor of the Royal Ballet School of Monaco, highly respected by prima ballerinas worldwide, visited Japan.
At that time, she spoke about the significance of an artist's existence.
She said, "Artists are important because they are the only ones who can shed light on hidden, concealed truths and express them."
No one would dispute her words.
It is no exaggeration to say that Masayuki Takayama is not only the one and only journalist in the postwar world but also the one and only artist in the postwar world.
On the other hand, Ōe, I don't want to speak ill of the deceased, but (to follow Masayuki Takayama's example below), Murakami and many others who call themselves writers or think of themselves as artists are not even worthy of the name of artists.
They have only expressed the lies the Asahi Shimbun and others created rather than shedding light on hidden truths and telling them.
Their existence is not limited to Japan but is the same in other countries worldwide.
In other words, there are only a few true artists.
This paper is another excellent proof that I am right when I say that no one in the world today deserves the Nobel Prize in Literature more than Masayuki Takayama.
It is a must-read not only for the people of Japan but for people all over the world.

The Depths of the Pol Pot Trial That "Asahi Shimbun" Does Not Report
The atrocity of the Shina-style "killing of whole families" that condensed 40 years of Mao Zedong into four years
In the morning, "torture time"...
One of the memories that has remained with me for a long time is that of Toul Sleng High School in Cambodia.　
Located in a corner facing a street in the center of Phnom Penh, the three-story school building and a one-story auditorium stood across a small schoolyard that could accommodate two basketball courts or so.　
Despite its appearance, you feel a chill when you enter the school grounds, even in summer.
Concrete partitions as tall as the school building are erected at one-meter intervals in each classroom, and iron rings are embedded in the floor of the partitioned booths.　
Citizens who are led to the booths by the boy soldiers of the Potus group are made to lie on the floor, and their ankles are chained to the iron rings.　
In the morning, they are taken from their classrooms to the auditorium across the street for torture sessions.
The beating with a bag over their heads is not even the beginning of the process.
Raw fingernails are ripped off with pliers, and bloody fingertips are burned with fire.　
The boy soldiers call their commander "Onkar.
Do you speak English? Do you have medical knowledge? Are you willing to put your knowledge to use for Onkar-sama?　
If you carelessly answer "yes," you are admitting that you are their enemy, the intelligentsia.
Onkar's true intention is to "learn from Dazhai," as Mao Zedong said.
Knowledge and learning are fallacies. Plowing the fields and learning by one's own sweat is right.　
Therefore, the only way to survive is to answer, "I don't know," but if you say so, the skin on your inner thighs will be pinched and torn off by pliers with stripped nails.
If he admits to being a French teacher, he, his wife, and his children are executed together.　

Parents are shown the execution of their children.　
On the auditorium's walls are hundreds of "commemorative" photos of the families who were executed in this way before their execution.
Every face is frozen in death and despair.
Killing entire families is another practice handed down from the Shina people, who fear revenge.
Killing parents but leaving behind children who harbor grudges will endanger the Pot regime in the future.　
Executions of confessed prisoners and their families take place outside the high school.
Bullets are not used because they are a waste.
The families are made to sit in a row, and their heads are smashed in with hoes and iron bars.　
The order is children first.
Parents are executed after the unparalleled torture of being forced to watch their children die a horrible death in front of their eyes.
Onkar also learned this kind of evil from the Chinese.　
That is why prisoners endure torture to protect their families.
After enduring until sunset, they are taken back to their original booths to rest for a while to prepare for the next day's torture.　
But one day, he will lose the torture.
If he loses, his wife and children will become collateral damage.
In the morning, when the boy soldiers took them out, there was no end to the number of prisoners who, seeing an opening, dived from the third-floor balcony and took their own lives.　
Today, the balcony of the school building is covered with a rusted wire netting like a back net.
The cruel prison warden, Kang Ke Yiu, put up the rusted wire netting to let the prisoners know that they were not free to commit suicide.

It is the same role as Mao's "Red Guards.　
The family photo before the execution was also the idea of Kang, who was in his 30s at the time, to show Onkar that he had executed this many prisoners today.
Incidentally, Onkar is the original word for organization (political organization).
Like Big Brother in Orwell's "1984," Onkar was a virtual leader, and the names of Pol Pot and his wife, who led the executions, were hidden.　　
During the four years of Pol Pot's reign, only eight of the 20,000 citizens who were put in there survived in time for the Vietnamese army to exterminate the Pol Pot faction.　
In addition to these executions of intellectuals, the Pol Pot faction also engaged in the so-called Down to the Countryside Movement.
In 1975, after conquering cities such as Phnom Penh and Kop Sopf, they sent government workers, doctors, and their families to the countryside.　
In rural areas, farmers built camps put city people in there, and pushed them about clearing land and planting rice.
The urban people were managed by boy soldiers, in other words, children of the peasants.　
It was also an imitation of China.
Mao Zedong incited middle and high school students to exterminate his political enemy, Liu Shaoqi, and the intellectual class and named them the Red Guards.
Mao gave them free money for train fare, lodging, and meals and sent them on a rampage throughout China.
They destroyed ruins and valuable cultural properties, but they defeated Liu Shaoqi and Peng Dehuai thanks to them.　
Having achieved their goal, Mao dispatched the exhausted Red Guards to Manchuria, Yan'an, and other remote areas.
It was called "Down to the Countryside."
When Mao came to power, he first doubled food production.
In the so-called "Great Leap Forward," Mao ordered that if twice as many rice seedlings were planted in the fields, there would be twice as much harvest, and the result was that 50 million people died of starvation.　
The Pot regime imitated his orders and his plan to double the harvest.
For this purpose, peasants were appointed as direct supervisors of Onkar, and urban people who were released as serfs were made to do everything from cultivating land to dense planting under the peasants' whip.
As a result, 1.7 million urban people died.　
The tragedy of Cambodia is thus closely linked to China.
In fact, China created and led the Pot people to take over the country and recreate "Mao's world" in the Down to the Countryside Movement, the Cultural Revolution, and everything else.
Or the 40-year reign of Mao was condensed into just four years.　

The Reality That Mr. Akioka Did Not Report　
In this sense, the Pot regime's trial now underway in Phnom Penh is a judgment of "Mao's China.　
In early February, the life sentence of Kang, a former Toul Sleng detainee whom that court had tried, was confirmed.
Kang kept repeating, "It was Onkar's order," until the very end, saying he could not resist.
For that matter, he used to do indeed lousy torture.
However, what is worrisome is that while various newspapers are covering this news extensively, the Asahi Shimbun, which has the best understanding of Mao Zedong's China from Akioka Ieshige onwards, has no information about the Chinese who manipulated the Poto faction from behind the scenes. It was treated as an article at the bottom of the paper.
Why don't they explain the mystery of the Chinese magic that transformed the mild and pious Buddhist Cambodians into an abnormal killing machine?
(March 2012 issue)